Motion graphics / Type, form and rhythm

From a logo signature to a short film.

Logo animation, kinetic typography and short films, shaped around your message and the place it needs to live.

Discuss a motion project
The word Matter stretches above a coral sphere and cobalt wave on a cream background in Impulse.
ImpulseIndependent motion study / 15 seconds

Different ideas. Different ways to move.

Two 15-second films explore contrasting treatments of type, graphic rhythm and dimensional form. Each has its own visual language and soundtrack.

A folded loop of pale sculptural fins with a lime inner edge from Form / Frequency.
Form / Frequency15 seconds · with sound

An independent motion study in kinetic typography, graphic rhythm and sculptural form.

Open Form / Frequency MP4
Read the film description

Bold animated lettering reads Make. It. Move. and Form follows frequency. Ribbons and repeated graphic shapes introduce Take shape and From a line to a volume. A folded three-dimensional loop of pale fins with a lime edge turns against a dark background, labeled A different dimension. Orbiting shapes resolve into In motion and the final title, Form / Frequency. The final line reads Designed in code. Felt in motion, with the credit Codex / 2026. An original instrumental score accompanies the film; there is no spoken dialogue.

Explore Form / Frequency
The word Matter stretches above a coral sphere and cobalt wave on a cream background in Impulse.
Impulse15 seconds · with sound

An independent motion study carrying one impulse through elastic type, a kinetic iris, glass and particles.

Open Impulse MP4
Read the film description

A traveling impulse introduces the title Impulse and the line One force. Many forms. The word Matter stretches above a coral sphere and cobalt wave on cream, labeled Energy becomes form. A dimensional iris gives way to an optical glass passage, labeled State / Change. Curved streams of particles reconstruct Impulse. The film ends with Motion. Material. Momentum. and the credit Codex / Motion Study 02. The iris is native Blender animation; the glass passage uses generated footage. An original instrumental score accompanies the film; there is no spoken dialogue.

Explore Impulse
The Mineral and Cobalt Codorus Web logo against a Carbon background.
Material Assembly6 seconds · silent

A short logo signature for Codorus Web’s own identity.

Open Material Assembly MP4
Read the film description

The elements of the Codorus Web mark and lettering assemble into the horizontal logo. Mineral lettering and the Cobalt square settle against a Carbon background. This film is silent.

Let the identity lead the movement.

Material Assembly brings dimensional pieces together into the exact Codorus mark. A six-second silent signature for the independent studio project.

Logo reveals and endcards can be a focused project, with the supplied logo, timing, background and delivery formats agreed before animation.

See the identity behind the film

Start with the message and its use.

Logo signatures and endcards

Bring a supplied identity into motion for a website, presentation or video ending. Agree the final hold, background treatments and export sizes around where it will appear.

Animated typography and titles

Make a short statement, title or announcement move with intention. Use type, shapes, rhythm and transitions to carry the words.

Short brand and launch films

Develop one clear idea into a complete sequence, combining suitable 2D graphics and scoped 3D passages. The treatment follows the brief; the studies show possible approaches.

Bring an existing identity, or pair the project with brand identity work. All motion projects are quoted individually.

Agree the direction before production.

  1. Set the message and the format

    Agree the idea, intended audience and use, length, aspect ratios, sound and source requirements. Your quote names the inputs, schedule, revision rounds and final deliverables.

  2. Review the look and the timing

    Review the visual direction, storyboard and a timed preview before full production. For an unfamiliar or complex treatment, a separately agreed test may establish the approach first.

  3. Finish, check and deliver

    Review the complete film, refine the agreed details and receive the final exports, poster and any agreed source files with handoff notes.

Plan the delivery as well as the film.

What should I include in a motion brief?

Share the message, intended audience, where the film will appear, approximate length and deadline. Add your logo, text, fonts, colors and any useful references, plus whether you need sound and editable source.

Can I get different sizes, a transparent version or sound?

These can be considered in the scope. Aspect ratios, background treatments, codecs and sound change the production and delivery requirements, so they are agreed before work starts. A standard MP4 does not contain transparency.

Which editable source formats are available?

These studies use code-driven 2D graphics, native Blender scenes and audio stems, with source formats agreed per project. If you need After Effects, Premiere, Lottie or a particular editing environment, say so before the quote so compatibility can be checked.

How are 3D and generated footage used?

The approach is chosen for the brief and agreed restrictions. Form / Frequency includes an authored native Blender sculpture. Impulse pairs a native Blender iris with a generated glass passage; that glass clip is rendered footage, not an editable 3D scene.

Can I commission just one short animation?

Yes. A logo signature, title or other bounded animation can stand alone. You do not need a website or identity project to commission motion.

A short brief is a useful start

What do you want to put in motion?

Tell Joey what the film needs to say, where it will appear and when you need it.